#NI RAZOR VST DOWNLOAD MANUAL#
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The filter section also features a 34-band vocoder which can be used to modulate the audio input signal, be it your own voice or something else. No matter how crazy I went with tweaking different filter parameters and trying different filter types, the results always ended up sounding like something that could actually be used in a track, at least as sort of a cool weird sound FX or a drone. Generally speaking, experimenting with RazorвЂ™s different filter types can be a lot of fun, and what really caught my attention was the fact that its filters always keep the sound well-defined and focused (sharp, if you will), even with quite extreme settings. These can be put to great use if youвЂ™re trying to create the more aggressive kind of wobbly bassline sounds used in modern Dubstep, but they also work very well in creating deep bass sounds, or lush and atmospheric soundscapes. Along with several different lowpass filter types, it also features a variety of less common filter types like the comb, vowel and formant filters, among others.

The filter section is where things start to get really interesting. The amount of control depends on the selected oscillator type, as they all come with a specific set of parameters in addition to the standard volume, pitch and equalizer controls which are common for each oscillator type. Apart from the usual waveform types like Sawtooth and Pulse, youвЂ™ll some more quite exotic ones like for example Sync Classic (which features a classic oscillator sync sound) and Hoover (a great starting point for creating reese bass sounds). The oscillator section features two oscillators and offers a selection of 14 unique oscillator types.

For now, letвЂ™s just say that each section uses additive synthesis to modify the sound, and this even counts for the built-in effects (the included reverb module has some rather unique properties and is capable of some really cool tricks, but more on that later). However, even though the synth follows a classic design, each section hides a trick or two up its sleeve, making Razor a pretty unique sounding instrument.

#NI RAZOR VST DOWNLOAD MANUAL#

Anyone with basic understanding of how synthesizers work should be able to start experimenting with Razor right away, even without reading the provided manual (nevertheless, reading the manual is always a good thing, and the Razor manual is very informative and well-written). The interface is split into several familiar-looking sections for oscillators, filters, envelopes, LFOs, effects, etc. RazorвЂ™s interface is very easy to grasp, as it pretty much resembles the architecture of a standard substractive synhesizer. So how does one use a Razor to create sound? Also, additive synthesis was a somewhat unfamiliar concept for me, and I was interested in finding out whether IвЂ™ll be able to operate such a synth properly вЂ“ being so used to working with various software/hardware VAs and FM synths. Being a big dubstep fan that I am, this was more than enough reason to grab Razor and see what it can do. What initially drew my attention to this synth was the fact that IвЂ™ve seen it labeled as sort of a new dubstep synth on several places online. Razor was created as a joint effort between Native Instruments and Errorsmith, a Berlin-based music producer and a well-known Reaktor instrument designer.

#NI RAZOR VST DOWNLOAD FREE#

It is a Reaktor ensemble, which means that you will need to have the free REAKTOR PLAYER or REAKTOR 5.5 installed on your computer in order to use the Razor synthesizer. Razor is an additive synthesizer built with the Native Instruments Reaktor technology.

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